Keef Hartley - "Me And My Woman"
Woody Guthrie - "End Of The Line"
French Blues Explosion - "El Mariachi"
Phillipp Fankhauser - "Jealous Kinda Fella"
John Lee Hooker - "It Serves Me Right To Suffer"
Jimmy Dawkins - "Gittar Rapp"
Snake Mary - "Lay By The River"
Mississippi Sheiks - "The Sheik Waltz"
Nick Drake - "Here Come The Blues"
Big Mama Thornton - "Hound Dog"
Woody Guthrie - "Blowing Down That Old Dusty Road"
Joe Bonamassa - "Dust Bowl"
Hilda Lamas - "Blues Man In A Three Piece Suit"
Woody Guthrie - "Railroad Blues"
Kevin Selfe - "Last Crossroad"
Kevin Selfe - "Second Box On The Left"
Slim Harpo - "I'm A King Bee"
Bonnie Raitt - "I Ain't Blue"
Pam Taylor Band - "All I Got Left"
Woody Guthrie - "Washington Talkin' Blues"
John Pippus - "One World"
Monday, 29 April 2013
Featured Artist: Woody Guthrie
Woody Guthrie
July 14, 1912 - October 3, 1967
Woody Guthrie was the most important American folk music artist of the first half of the 20th century, in part because he turned out to be such a major influence on the popular music of the second half of the 20th century, a period when he himself was largely inactive. July 14, 1912 - October 3, 1967
His songs have been performed and recorded by a wide range of artists, including a veritable who's who of folksingers.
During his heyday, in the 1940s, he was a major-label recording artist, a published author, and a nationally broadcast radio personality. But the impression this creates, that he was a multi-media star, is belied by his personality and his politics. Restlessly creative and prolific, he wrote, drew, sang, and played constantly, but his restlessness also expressed itself in a disinclination to stick consistently to any one endeavor, particularly if it involved a conventional, cooperative approach.
Guthrie had begun to write his own songs as early as 1932. On April 14, 1935, he found inspiration in a natural disaster, when a major dust storm hit Pampa, as drought conditions and subsistence farming across the Great Plains combined to strip off tons of topsoil and send it flying into the wind, contributing to the financial catastrophe suffered by farmers during the Great Depression. Guthrie wrote "So Long It's Been Good to Know Yuh" (aka "Dusty Old Dust"), which was full of bitingly comic observations about the troubles suffered by people in the storm.
Meeting his cousin Leon Jerry "Oklahoma Jack" Guthrie in Los Angeles, Guthrie began performing with him, and the two were hired to do a radio program on the local station KFVD, launching the daily 15-minute program The Oklahoma and Woody Show on July 19, 1937.
In March 1940 Guthrie performed at a benefit for migrant workers sponsored by John Steinbeck at the Forrest Theater, California. His appearance was a sensation; with his demeanor and accent, he seemed the living embodiment of the Okies, and his songs and wry humor called to mind a combination of the country singer Jimmie Rogers and the homespun monologuist Will Rogers. At the event, Guthrie met a number of prominent folksingers, among them Leadbelly and Aunt Molly Jackson, as well as the 20-year-old aspiring folksinger Pete Seeger and Alan Lomax, the assistant in charge of the Archive of Folk-Song at the Library of Congress.
Lomax had other media connections that gave Guthrie greater exposure. On April 2, 1940, he presented Guthrie on his nationally broadcast CBS radio program, Columbia School of the Air, and later in the month Guthrie made the first of several appearances on another CBS show, The Pursuit of Happiness. Lomax also talked Guthrie up to RCA Victor Records, which signed him to a contract that resulted in the release of two albums, each consisting of three 78 RPM discs, in July 1940, Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2.
In 1946, Guthrie played concerts under the auspices of People's Songs, an organization founded by Seeger and other folksingers as a clearinghouse to promote political folk songs. He also continued to record for Asch, who released a new album, Struggle: Documentary #1, and commissioned him to write a series of songs about Sacco and Vanzetti, the immigrant anarchists who had been convicted of a robbery in which two guards were killed and had been executed in 1927, their case long a cause célèbre of the American left. (The album was not released until 1960.)
Inspired by his daughter Cathy, Guthrie also had begun writing children's songs, and he recorded these for Asch as well, starting in February 1946. After being released later in the year on Asch's Disc Records label on the album Songs to Grow On: Nursery Days, these became among Guthrie's most popular recordings, and he made more of them. Work Songs to Grow On followed in 1947.
By late 1951, Guthrie's erratic behavior had led to his separation from his wife. On January 7, 1952, he did a recording session for Decca Records as part of proposed contract with the label, but his performing skills had deteriorated noticeably; the contract was withdrawn, and the recordings have never been released. This was Guthrie's last serious attempt to record, although there was a final session for Asch two years later that also proved fruitless. Guthrie was hospitalized on May 16, 1952, and was in and out of hospitals over the summer until a neurologist finally recognized his symptoms as Huntington's disease in September.
Since discovering that his mother had suffered from Huntington's disease shortly after her death, Guthrie had feared that he would inherit the illness, as he confided to friends on several occasions in the 1930s and '40s. By the late '40s, he had begun to exhibit symptoms of the disease, although, since his behavior had always been idiosyncratic, they were not recognized as such by him or others, and tended to be ascribed to excessive drinking.
On September 16, 1954, no longer able to function, Guthrie checked himself into Brooklyn State Hospital, where he had received his diagnosis two years earlier. This was a voluntary commitment that allowed him to leave the hospital on weekends, which he spent with his ex-wife Marjorie Guthrie. On May 23, 1956, Guthrie checked himself out, intending to hit the road again, but within days he was arrested for vagrancy in New Jersey and involuntarily committed to Greystone Park Hospital, where he remained for five years, until Marjorie Guthrie was able to get him moved back to Brooklyn State, an easier commute from her home in Coney Island.
Guthrie was moved to Creedmore State Hospital in Queens, NY, in July 1966 and put under the care of a doctor specifically studying Huntington's disease. He died there on, October 3, 1967 at the age of 55.
Guthrie defined an era in his Dust Bowl ballads, his outlaw tales, his work and labor songs, anti-war songs, children's songs, political songs, and a host of love songs and songs that touched on philosophy, geography and the hard work of living day to day in an emerging industrial world. He wrote constantly, a bit like a maverick beat reporter, and new poems, writings, drawings and even previously unknown songs kept turning up into the 21st century. In 2012, the centennial year of his birth, several books, anthologies and box sets of his work appeared, and Guthrie was firmly enshrined as a one-of-a-kind American icon and treasure.
Monday, 22 April 2013
This week's playlist
Son House - "Walking Blues"
Dr. Feelgood - "Get Rhythm"
Leroy Carr and Scrapper Blackwell - "How Long, How Long Blues"
Hooker 'N' Heat - "Meet Me In The Bottom"
Barrence Whitfield and The Savages - "Bloody Mary"
58 Deluxe - "Thrill Is Gone"
Dr. Feelgood - "Looking Back"
Dr. Feelgood - "My Babe"
2BLU and The Lucky Stiffs - "Dead Man's Blues"
Duffy's Nucleus - "Hound Dog"
Kenny Davine Fine - "This Is My Song"
Dr. Feelgood - "Highway 61"
Rick L. Blues - "Lucky Boogie"
Pickering White - "Bye Bye Baby"
Birmingham Jug Band - "Cane Brake Blues"
Otis Spann - "Pretty Girls Everywhere"
Texas Alligator Blues Band - "Let's Call It The Blues"
The Mighty Mojo Prophets - "Sweetness"
Eliza Neals - "Money (That's What I Want)"
Zoot Money - "Get On The Right Track Baby"
Dr. Feelgood - "Mad Man Blues"
Graham Bond Organisation - "Strut Around"
Dr. Feelgood - "Get Rhythm"
Leroy Carr and Scrapper Blackwell - "How Long, How Long Blues"
Hooker 'N' Heat - "Meet Me In The Bottom"
Barrence Whitfield and The Savages - "Bloody Mary"
58 Deluxe - "Thrill Is Gone"
Dr. Feelgood - "Looking Back"
Dr. Feelgood - "My Babe"
2BLU and The Lucky Stiffs - "Dead Man's Blues"
Duffy's Nucleus - "Hound Dog"
Kenny Davine Fine - "This Is My Song"
Dr. Feelgood - "Highway 61"
Rick L. Blues - "Lucky Boogie"
Pickering White - "Bye Bye Baby"
Birmingham Jug Band - "Cane Brake Blues"
Otis Spann - "Pretty Girls Everywhere"
Texas Alligator Blues Band - "Let's Call It The Blues"
The Mighty Mojo Prophets - "Sweetness"
Eliza Neals - "Money (That's What I Want)"
Zoot Money - "Get On The Right Track Baby"
Dr. Feelgood - "Mad Man Blues"
Graham Bond Organisation - "Strut Around"
Sunday, 21 April 2013
Featured Artist - Dr Feelgood
Dr. Feelgood are a
British pub rock band formed in 1971.
Formed at Canvey
Island, Essex, they are best known for early singles like "Back
in the Night" and "Roxette". Although their most
commercially productive years were the early to mid 1970s, they
continue to tour and record to this day.
The original band
line-up included Wilko Johnson on guitar, singer Lee Brilleaux and
the rhythm section of John B. Sparks, known as "Sparko", on
bass guitar and John Martin, known as "The Big Figure", on
drums.
Like many pub rock
acts, Dr. Feelgood were known primarily for their high energy live
performances, although studio albums like Down by the Jetty (1974)
and Malpractice (1975) were also popular. Their breakthrough 1976
live album, Stupidity, reached number one in the UK Albums Chart. But
after the follow-up Sneakin' Suspicion, Johnson was replaced by John
'Gypie' Mayo, and enjoyed their only Top Ten hit single in 1979, with
"Milk and Alcohol".
Despite Mayo's
departure in 1981, and various subsequent line-up changes which left
Brilleaux the only remaining original member, Dr. Feelgood continued
touring and recording through the 1980s, until Lee Brilleaux died of
cancer in 1994.
Dr. Feelgood reunited
in May 1995, initially with vocalist Pete Gage, and started touring
again in 1996.
The current line up
features the rhythm section Kevin Morris on drums and Phil Mitchell
on bass, both 29 years in the band and Steve Walwyn on guitar who has
been with the band for 23 years. Vocalist Robert Kane (formerly of
the Animals) is the most recent addition – joining in 1999. The band continues to tour
extensively throughout the World and enjoy a loyal following at home
and abroad.
Labels:
Dr. Feelgood,
Featured Artist
Monday, 15 April 2013
This week's playlist
Arne Bang Huseby - "Stormy Blues"
Eric Lindell - "It's A Drag"
ZZ Top - "La Grange"
Johnny Winter - "Bad Girl Blues"
Fit & The Conniptions - "Got My Modem Working"
Paul Lamb & The Blues Burglars - "Spaced Out"
Fleetwood Mac - "Shake Your Money Maker"
The Memphis Jug Band - "On The Road Again"
The Sensational Alex Harvey Band - "Hole In Her Stocking"
Albert Collins - "I Ain't Drunk"
Geno Washington - "Seven Eleven"
Mississippi John Hurt - "Candy Man"
Delbert McClinton - "You Can't Judge A Book By The Cover"
Jim Jackson - "Hesitation Blues"
Big Woody - "People Are Talkin'"
Jimmy G - "A Rasiny Night In Georgia"
My Bubba & Mi - "Nothing Much"
Charlie Mosbrook - "Hand Me Down My Walking Cane"
Josh White - "Blood Red River"
Coco Montoya - "Last Dirty Deal"
Solo Dja Kabako - "Souba"
Eric Lindell - "It's A Drag"
ZZ Top - "La Grange"
Johnny Winter - "Bad Girl Blues"
Fit & The Conniptions - "Got My Modem Working"
Paul Lamb & The Blues Burglars - "Spaced Out"
Fleetwood Mac - "Shake Your Money Maker"
The Memphis Jug Band - "On The Road Again"
The Sensational Alex Harvey Band - "Hole In Her Stocking"
Albert Collins - "I Ain't Drunk"
Geno Washington - "Seven Eleven"
Mississippi John Hurt - "Candy Man"
Delbert McClinton - "You Can't Judge A Book By The Cover"
Jim Jackson - "Hesitation Blues"
Big Woody - "People Are Talkin'"
Jimmy G - "A Rasiny Night In Georgia"
My Bubba & Mi - "Nothing Much"
Charlie Mosbrook - "Hand Me Down My Walking Cane"
Josh White - "Blood Red River"
Coco Montoya - "Last Dirty Deal"
Solo Dja Kabako - "Souba"
Featured Artist: Alligator Records
Alligator Records
Alligator Records is a Chicago-based independent blues record label, founded by Bruce Iglauer in 1971. Iglauer started the label with his own savings to record and produce his favorite band Hound Dog Taylorn & The HouseRockers, whom his employer, Bob Koester of Delmark Records, declined to record. Nine months after the release of the first album, he stopped working at Delmark Records to concentrate fully on the band and his label. Iglauer was also one of the founders of the Living Blues magazine in Chicago in 1970.
In 1982, the label won its first Grammy Award for the album, “I'm Here”, by Clifton Chenier. The second Grammy came in 1985 for “Showdown!” by Albert Collins, Johnny Copeland and Robert Cray.
Since its founding, Alligator Records has released over 250 blues and blues/rock albums, as well as a now-defunct reggae series. Present and past Alligator artists include Marcia Ball, Koko Taylor, Lonnie Brooks, Lil' Ed & The Blues Imperials, Eddy "The Chief" Clearwater, Sam Lay, Smokin' Joe Kubek & Bnois King, Roomful Of Blues, Eric Lindell, JJ Grey & MOFRO, Lee Rocker, Cephas & Wiggins and Michael Burks. More recently, veterans Charlie Musselwhite and James Cotton have re-signed to the label.
Monday, 8 April 2013
This week's playlist
Lonnie Johnson - "Playing With The Strings"
Magic Slim and The Teardrops - "Hard Luck Blues"
Big Woody - "Blues This Morning"
Dr. Feelgood - "All Through The City"
Eden Brent - "Darkness On The Delta"
Blind Blake - "Come On Boys, Let's Do That Messin' Around"
Even Dozen Jug Band - "Take Your Fingers Off It"
International Blues Family - "Let The Spirit"
Walter Trout - "Wrapped Up In The Blues"
Magic Slim and The Teardrops - "I Got Money"
Blind Gary Davis - "Cross And Evil Woman Blues"
The Nitty Gritty Dirt Band - "Tulsa Sounds Like Trouble To Me"
Magic Slim and The Teardrops - "Matchbox Blues"
Peter Karp and Sue Foley - "More Than I Bargained For"
Josh White - "Good Gal"
Skip James - "Devil Got My Woman"
Blind Lemon Jefferson - "Black Snake Moan"
Mig and The Mudz (featuring Lady Loretta) - "Down"
Leroy Carr - "Mean Mistreatin' Mama"
John Pippus - "Tell Me Why"
Magic Slim and The Teardrops - "Someone Else Is Steppin' In"
Little Brother Montgomery - "The First Time I Met The Blues"
Magic Slim and The Teardrops - "Hard Luck Blues"
Big Woody - "Blues This Morning"
Dr. Feelgood - "All Through The City"
Eden Brent - "Darkness On The Delta"
Blind Blake - "Come On Boys, Let's Do That Messin' Around"
Even Dozen Jug Band - "Take Your Fingers Off It"
International Blues Family - "Let The Spirit"
Walter Trout - "Wrapped Up In The Blues"
Magic Slim and The Teardrops - "I Got Money"
Blind Gary Davis - "Cross And Evil Woman Blues"
The Nitty Gritty Dirt Band - "Tulsa Sounds Like Trouble To Me"
Magic Slim and The Teardrops - "Matchbox Blues"
Peter Karp and Sue Foley - "More Than I Bargained For"
Josh White - "Good Gal"
Skip James - "Devil Got My Woman"
Blind Lemon Jefferson - "Black Snake Moan"
Mig and The Mudz (featuring Lady Loretta) - "Down"
Leroy Carr - "Mean Mistreatin' Mama"
John Pippus - "Tell Me Why"
Magic Slim and The Teardrops - "Someone Else Is Steppin' In"
Little Brother Montgomery - "The First Time I Met The Blues"
Featured Artist: Magic Slim
Magic Slim
(August 7, 1937 – February 21, 2013)
(August 7, 1937 – February 21, 2013)
He was born Morris Holt in the small community of Torrance, Mississippi. In his youth he began playing the piano but, after losing the little finger of his right hand in an accident at a cotton gin, switched to the guitar. When his family moved to nearby Grenada, he became friends with a boy six months older, Sam Maghett, who also played the guitar. In the mid-50s, Maghett moved to Chicago and became the magnetic bluesman Magic Sam; Holt followed, played bass for him and was rewarded – being six-and-a-half feet tall and, in those days, slender – with the nickname of Magic Slim. But competition on the Chicago blues scene was fierce, and Slim decided to go back to Mississippi and work on his craft.
He returned a decade later and formed the first lineup of the Teardrops, with his younger brothers Nick, on bass, and Douglas, on drums. They used to play at Florence's, one of the city's best-known blues clubs, when the resident act, Hound Dog Taylor and the Houserockers, were out of town, and in 1972 they took over the engagement.
Slim cut a couple of singles in the late 60s, but his recording career really started in 1976, with a pair of albums recorded at the Chicago club Ma Bea's by the French label MCM. There were further LPs for Black & Blue and Isabel, all recorded in France. In the US, Alligator Records taped four powerful performances in 1978 for their groundbreaking series Living Chicago Blues. Stronger still was the 1982 album Grand Slam, a studio recording (for Rooster Blues, a joint British-American enterprise) with the feel of a live set, deeply committed to the sound of the Muddy Waters band in its heyday.
For some years before, and several afterwards, Slim and the Teardrops, successively featuring the guitarists Junior Pettis and John Primer, played frequently at the Zoo Bar in Lincoln, Nebraska, a city with a substantial blues audience, and five albums were taped there. In time, Slim made his home in Lincoln.
In 1990, he signed with the American blues label Blind Pig, an association that lasted for the rest of his life and produced eight albums and a best-of compilation. He was happiest with the kind of material he had honed over years of club work, and extending the range of his repertoire without distancing him from his roots required the knowledge and discretion of a producer such as Dick Shurman, who moulded Black Tornado (1998) into one of Slim's best albums. It also featured Slim's son Shawn, a guitarist who had recently rejoined the Teardrops. Blue Magic (2002) was produced by the New York blues-rock musician Popa Chubby, while Midnight Blues (2008) featured cameo appearances by James Cotton, Lonnie Brooks, Elvin Bishop and other blues luminaries. Slim's last album, Bad Boy (2012), affirmed his standing as one of the changeless icons of Chicago blues.
Slim received three WC Handy awards for albums he made for Wolf, and subsequently several Blues Music Association awards, including one for blues band of the year in 2003.
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